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    <loc>https://www.jackharper.io/blog-1/why-the-perfect-light-in-the-truman-show-feels-wrong</loc>
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      <image:title>Letters from the Present - Why the Perfect Light in The Truman Show Feels Wrong</image:title>
      <image:caption>Truman smiles and waves from the porch of his home in The Truman Show (1998). Frame courtesy of Paramount Pictures, via High-Def Watch.</image:caption>
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    <loc>https://www.jackharper.io/blog-1/why-perfect-days-keeps-returning-to-the-same-tree</loc>
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      <image:title>Letters from the Present - Why Perfect Days Keeps Returning to the Same Tree</image:title>
      <image:caption>Hirayama and Niko look up beneath the trees, cameras resting in their hands, in Perfect Days (2023). © 2023 MASTER MIND Ltd. Supplied by Haut et Court.</image:caption>
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    <loc>https://www.jackharper.io/blog-1/why-a-trip-for-noodles-matters-in-in-the-mood-for-love</loc>
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      <image:title>Letters from the Present - Why a Trip for Noodles Matters in In the Mood for Love</image:title>
      <image:caption>Maggie Cheung and Tony Leung pass on the narrow noodle-stand staircase in In the Mood for Love (2000). Film still supplied by Janus Films.</image:caption>
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    <loc>https://www.jackharper.io/blog-1/what-luke-skywalker-sees-in-a-sunset</loc>
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    <lastmod>2026-11-09</lastmod>
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      <image:title>Letters from the Present - What Luke Skywalker Sees in a Sunset</image:title>
      <image:caption>Luke Skywalker faces the twin suns in Star Wars A New Hope (1977). Film frame via Lucasfilm. © &amp; ™ Lucasfilm Ltd. All Rights Reserved.</image:caption>
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    <loc>https://www.jackharper.io/blog-1/why-knowing-the-trick-makes-virtual-insanity-better</loc>
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    <lastmod>2026-11-09</lastmod>
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      <image:title>Letters from the Present - Why Knowing the Trick Makes Virtual Insanity Better</image:title>
      <image:caption>Jay Kay in Jamiroquai’s Virtual Insanity (1996), directed by Jonathan Glazer. Source: 1.4.</image:caption>
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  <url>
    <loc>https://www.jackharper.io/blog-1/how-the-order-of-photographs-changes-the-story</loc>
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    <priority>0.5</priority>
    <lastmod>2026-11-09</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69e39c512aada454d57bf386/0431120a-3f90-4643-8be2-7f99d4718cf7/webb-seville-1992.jpg</image:loc>
      <image:title>Letters from the Present - How the Order of Photographs Changes the Story</image:title>
      <image:caption>Alex Webb, Seville, Spain, 1992. From Dislocations (Aperture, 2023). Courtesy the artist. Source: Aperture.</image:caption>
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    <loc>https://www.jackharper.io/blog-1/how-a-setting-shapes-a-portrait</loc>
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    <lastmod>2026-11-09</lastmod>
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      <image:title>Letters from the Present - How a Setting Shapes a Portrait</image:title>
      <image:caption>Saodat Ismailova, Stains of Oxus (2016), installation still. Production: Le Fresnoy – Studio national des arts contemporains, Tourcoing. Source: Le Fresnoy.</image:caption>
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    <loc>https://www.jackharper.io/blog-1/building-trust-in-front-of-the-camera</loc>
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    <lastmod>2026-11-09</lastmod>
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      <image:title>Letters from the Present - Building Trust in Front of the Camera</image:title>
      <image:caption>Joanna Piotrowska, Untitled (2026), silver gelatin print. Courtesy of the artist and Consonni Radziszewski - Lisbon, Milan, Warsaw. Source: Palazzo Strozzi.</image:caption>
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  <url>
    <loc>https://www.jackharper.io/letters-ru</loc>
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    <lastmod>2026-11-09</lastmod>
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    <loc>https://www.jackharper.io/letters-ru/why-the-perfect-light-in-the-truman-show-feels-wrong</loc>
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    <priority>0.5</priority>
    <lastmod>2026-11-09</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69e39c512aada454d57bf386/d43fb812-c4ba-4a79-84d8-cbea0c835f90/the-truman-show.jpg</image:loc>
      <image:title>Письма из настоящего - Почему идеальный свет в «Шоу Трумана» настораживает</image:title>
      <image:caption>Труман улыбается и машет рукой с крыльца своего дома в фильме «Шоу Трумана» (1998). Frame courtesy of Paramount Pictures, via High-Def Watch.</image:caption>
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    <loc>https://www.jackharper.io/letters-ru/why-perfect-days-keeps-returning-to-the-same-tree</loc>
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    <lastmod>2026-11-09</lastmod>
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      <image:title>Письма из настоящего - Почему «Идеальные дни» снова и снова возвращаются к одному дереву</image:title>
      <image:caption>Хираяма и Нико смотрят вверх под деревьями, держа камеры на коленях, в фильме «Идеальные дни» (2023). © 2023 MASTER MIND Ltd. Supplied by Haut et Court.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.jackharper.io/letters-ru/why-a-trip-for-noodles-matters-in-in-the-mood-for-love</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-11-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/69e39c512aada454d57bf386/705b2d26-ad54-402a-ac39-9765debcc538/in-the-mood-for-love.jpg</image:loc>
      <image:title>Письма из настоящего - Почему поход за лапшой так важен в «Любовном настроении»</image:title>
      <image:caption>Мэгги Чун и Тони Люн расходятся на узкой лестнице к лапшичной в фильме «Любовное настроение» (2000). Film still supplied by Janus Films.</image:caption>
    </image:image>
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  <url>
    <loc>https://www.jackharper.io/letters-ru/what-luke-skywalker-sees-in-a-sunset</loc>
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    <lastmod>2026-11-09</lastmod>
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      <image:title>Письма из настоящего - Что Люк Скайуокер видит в закате</image:title>
      <image:caption>Люк Скайуокер смотрит на два солнца в фильме «Звёздные войны. Новая надежда» (1977). Film frame via Lucasfilm. © &amp; ™ Lucasfilm Ltd. All Rights Reserved.</image:caption>
    </image:image>
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  <url>
    <loc>https://www.jackharper.io/letters-ru/why-knowing-the-trick-makes-virtual-insanity-better</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-11-09</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69e39c512aada454d57bf386/ae7ed5c4-df84-451e-a515-0499ad86f961/virtual-insanity.jpg</image:loc>
      <image:title>Письма из настоящего - Почему Virtual Insanity становится ещё интереснее, когда знаешь секрет</image:title>
      <image:caption>Джей Кей в клипе Jamiroquai Virtual Insanity (1996), режиссёр Джонатан Глейзер. Source: 1.4.</image:caption>
    </image:image>
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  <url>
    <loc>https://www.jackharper.io/letters-ru/how-the-order-of-photographs-changes-the-story</loc>
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    <lastmod>2026-11-09</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69e39c512aada454d57bf386/1d70f5c7-5660-49cc-9be0-b963ea9e0e6b/webb-seville-1992.jpg</image:loc>
      <image:title>Письма из настоящего - Как порядок фотографий меняет историю</image:title>
      <image:caption>Алекс Уэбб, Севилья, Испания, 1992. Из книги Dislocations (Aperture, 2023). Courtesy the artist. Источник: Aperture.</image:caption>
    </image:image>
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  <url>
    <loc>https://www.jackharper.io/letters-ru/how-a-setting-shapes-a-portrait</loc>
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    <lastmod>2026-11-09</lastmod>
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      <image:title>Письма из настоящего - Как обстановка влияет на портрет</image:title>
      <image:caption>Саодат Исмаилова, Stains of Oxus (2016), кадр из видеоинсталляции. Производство: Le Fresnoy - Studio national des arts contemporains, Туркуэн. Источник: Le Fresnoy.</image:caption>
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  <url>
    <loc>https://www.jackharper.io/letters-ru/building-trust-in-front-of-the-camera</loc>
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    <lastmod>2026-11-09</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/69e39c512aada454d57bf386/1e193636-0410-4e65-b432-c81182cee9d0/piotrowska-untitled-2026.jpg</image:loc>
      <image:title>Письма из настоящего - Как возникает доверие перед камерой</image:title>
      <image:caption>Joanna Piotrowska, «Без названия» (2026), серебряно-желатиновый отпечаток. Предоставлено художницей и Consonni Radziszewski — Lisbon, Milan, Warsaw. Источник: Палаццо Строцци.</image:caption>
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    <priority>1.0</priority>
    <lastmod>2026-11-09</lastmod>
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    <lastmod>2026-11-08</lastmod>
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